Top Ten Tuesday: Blogging Confessions

toptentuesday From The Broke and the Bookish - Top Ten Blogging Confessions

  1. I always have big ideas and plans to post regularly on my blog but invariable don't follow through with them. Lately it's been because I'm busy doing writerly stuff that needs to be done if I want to get published.
  2. Each blog post takes 30 minutes at a minimum. Usually over an hour. (This one had taken five hours, but ice cream had to be made.) That's a lot of time to dedicate to something I'm not entirely sure anyone reads and/or enjoys.
  3. Building a following on a blog is hard work. Does it reap the benefits touted by proponents of Platform Building? Magic 8 Ball says, "Ask again later."
  4. I used to religiously write book reviews but now can't seem to put into words why I liked a book or disliked it. I think I'm out of practice and if I made myself write them, it would come back. The problem is time. Book reviews take even longer than a general blog post.
  5. I don't read or follow as many blogs as I should.
  6. My favorite all time blog post is One Mile Ahead.
  7. Of the ten most popular posts, seven are about The Mentalist.
  8. I do not talk politics on my blog.
  9. Nor do I talk about religion.
  10. I didn't think I had blogging confessions. Turns out, I had nine.


My Writing Process Blog Tour - Dark Fantasy writer Brent Kelly


Continuing with the My Writing Process Blog Tour, today we hear from Brent Kelly, a dark fantasy writer from the Northwoods of Wisconsin.

What are you working on?

These days I’m trying to wrap up my third novel, CHUGGIE AND THE PRISONER GODS. It’s about my pal Chuggie and some trouble he’s gotten into. It’s the third book of his ongoing series, the first being CHUGGIE AND THE DESECRATION OF STAGWATER. The second was CHUGGIE AND THE BLEEDING GATEWAYS. There should be many more to come. In this book, Chuggie’s stuck on a world called Glughu, and he needs to get home to try and stop a war. We also get to see through the eyes of Chuggie’s friend Fey Voletta, as well as young lady named Squip who was born into poverty. I’m even more excited about this next book than the first two for several reasons. The story is amped up, the monsters are more monstrous, and there are going to be pictures. I’ve got an artist named David Starr creating illustrations, and the ones I’ve seen so far are just glorious. The man knows what he’s doing, and his illustrations are going to be a great addition to the story.

How does your work differ from others of its genre?

Chuggie’s stories are in the genre of Dark Fantasy. What you won’t find are dragons, werewolves, vampires, fairies, elves, trolls, centaurs, or zombies. A lot of Dark Fantasy tales are set right here on Earth. There’s nothing wrong with that, but with Chuggie I created a new world. It’s called Mag Mell, and I have a pretty wild time exploring there. On Mag Mell, there is a race of beings called Steel Jacks – basically creatures of living energy who live in 8-foot-tall metal suits. They arrived through the Tetracardi Rift, and they’re not to be trifled with. They also lend a touch of sci-fi to the story. The Steel Jacks want Chuggie to join their team, but he does his best to avoid them. He spends his days trying  in vain to stay out of trouble and his nights telling crazy, boozy tales that may not have happened exactly how he says.

Why do you write what you do?

It’s what I’m best at writing. I dabble in horror, sci-fi, children’s stories, and so on. With Dark Fantasy – particualarly Chuggie’s stories – I feel like I’m home. His adventures are light-hearted, silly, whimsical, profanity-filled, gory, gruesome, creepy, and sexy. I can really let my imagination off its chain when I’m writing about him.

How does your writing process work?

There’s a long period of writing notes. Then I’ll write down every conflict in the book that I can think of. That becomes a basic outline. I don’t spend too much time working on a huge outline initially because it’ll be useless by chapter 4. I’ll outline a chapter at a time, write the chapter, then a quick outline, then write a chapter, and so on. Once I have a completed manuscript, I’ll send it to my editor Kate Jonez at Omnium Gatherum. She’ll read it and send back her editorial suggestions. We’ll edit for two months. Then, if Odin wills it, we’ll publish the book exactly on schedule. CHUGGIE AND THE PRISONER GODS is slated for release this September. Want my opinion? Everyone should get the most excited they’ve ever been and then maintain that level of excitement until the book comes out, star

tiiiiiiing… NOW!

brent kelley
brent kelley

Brent Michael Kelley lives and writes in the Wisconsin Northwoods.



(Mischief Mayhem Want and Woe)



(Mischief Mayhem Want and Woe Book 2)


He shares a home with such things as hairless dogs, a snake named Darth Batman, and the woman he married on Halloween. In addition to writing about his pal Chuggie, he likes writing story-poems, painting monsters, and making wine. Some say late at night, if you’re alone by a campfire, you can summon Brent by closing your eyes and saying his name eleven times. He insists this is not true and there’s no way it will work… yet. He can be found on the web at

My Writing Process Blog Tour

My friend and fellow DFW Workshop member, David Goodner, tagged me in the My Writing Process Blog Tour meme. Below are my answers, and the three people who agreed to keep this meme going.

What am I working on?

I'm editing my historical novel, PALO DURO, to ready it for submission in September.


How does my work differ from others of its genre?

I write character driven mysteries with too much cussing to qualify it as a cozy, not enough blood to qualify it as gritty, too much romance to qualify it as a procedural and not enough romance for it to be erotica. The central character is a male instead of a female, a police chief instead of an amateur sleuth, and it's a crime novel instead of a thriller. To me, it's a pretty straight forward small town crime novel, which it turns out is more unique than I thought.

Why do I write what I do?

I love history and historical fiction. I love learning something new when I read and the opportunity to do that for other readers is appealing. Plus, there aren't enough American authors writing about American history. Unless it's the Civil War. Everyone writes about the Civil War. But, there is so, so much more out there to write about. It's getting better, actually. I've seen quite a few unique American historical fiction novels recently: The Traitor's Wife, Orphan Train, One Thousand White Women, to name a few. I love British and European history as much as the next person, but it's time for historical fiction to move on from Nazis and the British monarchy, I think.

Why do I write mysteries? I'm not sure, truth be told. Since my reading habits are so varied, I I don't read a ton of mysteries and when I do it's whatever catches my eye. It might be cozy, traditional, noir, thriller, crime procedural.  This lack of genre focus in my reading probably explains why my novel isn't easily slotted into a sub-genre. I've been influenced by many of them. When I wrote STILLWATER, I wrote a mystery I would like to read and discovered I like writing mysteries.

And women's fiction? That is such a hard genre to define. To me, all of my novels are women's fiction because they have a strong female as a central character. I've dabbled in erotica but haven't written a traditional romance. I might one day, but for now I'm focusing on writing strong female protagonists in male dominated worlds.

How does my writing process work?

My writing process is 60% procrastination, and by procrastination I mean naps, and 40% writing. I'm not kidding.

I start with an idea, usually a character. I'll go through my daily activities, distracted and distant, thinking about this idea; fleshing out the character, the situation, the setting. Then, I start writing. I don't outline, save for one or two word sentences for each chapter, which I usually write once I'm halfway done with the book. It's at the halfway mark that it starts to flow, I realize there's an end to work toward. I finish the first draft, polish it up, then send it to my first reader, Mark. He tears it apart, and I rewrite. He teases me that I write two novels worth of prose for every novel I write. So far, he's right. I keep hoping that as I develop as a writer, I will develop a more streamlined writing process.  So far, that hasn't happened.

If the idea is historical fiction, I try to read as much as I can on the subject and time period before  so I have a good grasp on the feel of the time. Between my first and second draft, I'll do specific research to get the details right. I can't research while I write or I will fall down every research rabbit hole there is and get nothing done.

Three of my writing friends have graciously agreed to continue this little meme.


A.M. Bostwick writes Middle Grade and Young Adult novels. An early draft of her young adult novel, "Break the Spell," was a finalist in the 2013 Wisconsin Romance Writers of America Fab 5 Contest. Abigail lives in northern Wisconsin with her husband, dog and thrill-seeking cat. THE GREAT CAT NAP, winner of the 2014 Tofte/Wright Children's Literature Award from the Council for Wisconsin Writers, is her debut novel.


Anna Davis. Writer. Mom. Wife. Avid reader. Coffee lover. Cyberpunk. Sci-fi nerd. Winner of the DFW Writer’s Conference “Fire and Ash” Short Story Contest. Editorial Assistant at Henery Press.


Jenny Martin is a librarian, a book monster, and a certified electric-guitar-rawking Beatle-maniac. She lives in Dallas with her husband and son, where she hoards books and regularly blisses out over all kinds of live and recorded rock. Her debut YA novel, TRACKED, will be released in 2014 by Dial, an imprint of Penguin.

A list about failing and not having the will to try. Awesome!

Top Ten Tuesday is an online meme created by The Broke and the Bookish – check out their blog for some great book reviews and recommendations! Today’s list is Top Ten Most Intimidating Books (might be intimidated by size, content, that everyone else loves it but you are sure you won’t etc).

1. Moby Dick - I've tried to read Moby Dick and failed. I tried to listen to Moby Dick and failed. If I thought there was a decent screen adaptation of it I would watch it, but I'm afraid there isn't. The truth of the matter is, I only want to read it because I feel like I should.

2. The Count of Monte Cristo by Alexander Dumas - If I didn't know the ending, I might be more apt to pick it up.

3. Le Miserables by Victor Hugo - another book I started and stopped.

4. Blindness - Stream of conscious. Need I say more?

5. Cloud Atlas - Moves back and forth in time.

6. Love in the Time of Cholera - I'm not sure why this is intimidating, but it's been on my bookshelf for a few years and I keep passing it by.

6. Blood Meridian - I've heard how difficult McCarthy is to read too many times to not be intimidated.

7. Bleak House by Charles Dickens - long and about a legal case. I'm falling asleep typing that. Plus, the British mini-series from a few years back was awesome.

8. Vanity Fair - again, length.

9. Anything else by Faulkner - it was a struggle enough to get through The Sound and the Fury.

10. Civil War: A Narrative by Shelby Foote - I really, really want to read this but geez. It's almost 3000 pages long. I probably should have started it when the 150 year anniversary of the Civil War started back in 2011. Now I'm mad I didn't think of that sooner.